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## Exercises16.6Practice Exercises

###### 1.

Analyze the triads with lead-sheet symbols above and Roman numerals with figured bass inversion symbols below the staff. Answer
• Lead-sheet: 1. $\left.\text{C}\middle/\text{G}\right.$; 2. $\left.\text{B}^{\circ}{}\middle/\text{D}\right.$; 3. $\left.\text{Dm}\middle/\text{A}\right.$; 4. $\left.\text{G}\right.$

• Figured bass: 1. $\left.\text{I}^{6}_{4}\right.$; 2. $\left.\text{vii}^{\circ}{}^{6}\right.$; 3. $\left.\text{ii}^{6}_{4}\right.$; 4. $\left.\text{V}\right.$

###### 2.

Analyze the seventh chords with lead-sheet symbols above and Roman numerals with figured bass inversion symbols below the staff. Answer
• Lead-sheet: 1. $\left.\text{Em7}\middle/\text{G}\right.$; 2. $\left.\text{G7}\middle/\text{F}\right.$; 3. $\left.\text{Cmaj7}\middle/\text{G}\right.$; 4. $\left.\text{Fmaj7}\right.$

• Figured bass: 1. $\left.\text{iii}^{6}_{5}\right.$; 2. $\left.\text{V}^{4}_{2}\right.$; 3. $\left.\text{IM}^{4}_{3}\right.$; 4. $\left.\text{IVM}^{7}\right.$

###### 3.

Label the given chords using lead-sheet symbols above and Roman numerals with figured bass inversion symbols below. Answer
• Lead-sheet: 1. $\left.\text{D}^{\circ}{}\middle/\text{F}\right.$; 2. $\left.\text{A}^{\circ}{}^{7}\middle/\text{G}\right.$; 3. $\left.\text{E}^ø{}^{7}\right.$; 4. $\left.\text{Dmaj7}\middle/\text{F}^{♯}\right.$

• Figured bass: 1. $\left.\text{ii}^{\circ}{}^{6}\right.$; 2. $\left.\text{vii}^{\circ}{}^{4}_{2}\right.$; 3. $\left.\text{vii}^ø{}^{7}\right.$; 4. $\left.\text{IM}^{6}_{5}\right.$

###### 4.

Write the specified chords. Analyze the chords with lead-sheet symbols. Include key signatures. Answer ###### 5.

Analyze the excerpt using Roman numerals with figured bass inversion symbols below and lead-sheet symbols above. Analyze non-chord tones. Figure 16.6.1. J.S. Bach, Chorale 175, “Jesus, meine Zuversicht”
Answer PDF versions of the textbook, homework exercises, and practice exercises can be found at musictheory.pugetsound.edu