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Appendix A Answers to Practice Exercises
1 Basic Concepts
1.6 Practice Exercises
1.6.1.
1.6.2.
1.6.3.
2 Major Scales and Key Signatures
2.4 Practice Exercises
2.4.1.
2.4.2.
3 Minor Scales and Key Signatures
3.4 Practice Exercises
3.4.1.
3.4.4.
4 Basics of Rhythm
4.7 Practice Exercises
4.7.1.
4.7.2.
4.7.3.
4.7.4.
4.7.5.
5 Intervals
5.6 Practice Exercises
5.6.1.
5.6.2.
5.6.3.
5.6.4.
6 Triads
6.7 Practice Exercises
6.7.1.
6.7.2.
6.7.3.
6.7.4.
6.7.5.
7 Roman Numerals and Cadences
7.5 Practice Exercises
7.5.1.
7.5.2.
7.5.3.
8 Seventh Chords
8.4 Practice Exercises
8.4.1.
8.4.2.
8.4.3.
9 Harmonic Progression and Harmonic Function
9.9 Practice Exercises
9.9.1.
9.9.2.
9.9.3.
9.9.4.
10 Non-Chord Tones
10.12 Practice Exercises
10.12.1.
10.12.2.
11 Melodic Analysis
11.6 Practice Exercises
12 Form in Popular Music
12.6 Practice Exercises
12.6.1.
13 Phrases in Combination
13.9 Practice Exercises
13.9.1. Mozart, “Ein Mädchen oder Weibchen,”The Magic Flute.
13.9.2. Mozart, Piano Sonata K. 333, I.
13.9.3. Edmond Dédé, Chicago, Grande Valse à l’Américaine.
16 Figured Bass
16.6 Practice Exercises
16.6.1.
16.6.2.
16.6.3.
16.6.4.
16.6.5.
17 Secondary Dominant Chords
17.7 Practice Exercises
18 Secondary Diminished Chords
18.5 Practice Exercises
18.5.1.
18.5.2.
18.5.3.
19 Mode Mixture
19.6 Practice Exercises
19.6.1.
19.6.2.
19.6.3.
20 The Neapolitan Chord
20.3 Practice Exercises
20.3.1.
20.3.2.
21 Augmented Sixth Chords
21.9 Practice Exercises
21.9.1.
21.9.2.
22 Modulation
22.8 Practice Exercises
23 Enharmonic Modulation
23.4 Practice Exercises
24 Binary and Ternary Forms
24.9 Practice Exercises
25 Sonata and Rondo Forms
25.6 Practice Exercises
26 Voice Leading Triads
26.13 Practice Exercises
26.13.5.
26.13.6.
26.13.7.
27 Voice Leading Seventh Chords
27.6 Practice Exercises
27.6.1.
27.6.2.
27.6.3.
28 Voice Leading With Non-Chord Tones
28.4 Practice Exercises
28.4.1.
28.4.2.
28.4.3.
29 Voice Leading Chromatic Harmonies
29.5 Practice Exercises
30 Introduction to Counterpoint
30.9 Practice Exercises
First and Second Species Exercises
30.9.1.
30.9.2.
Species Counterpoint: Day Two
30.9.3.
30.9.4.
Invention Expositions
30.9.5.
Fugue Analysis
30.9.6.
31 Introduction to Jazz Theory
31.12 Practice Exercises
32 Impressionism and Extended Tonality
32.5 Practice Exercises
33 Set Theory
33.9 Practice Exercises
34 Serialism
34.7 Practice Exercises
