Music Theory for the 21st-Century Classroom

Appendix A Answers to Practice Exercises

1 Basic Concepts
1.6 Practice Exercises

2 Major Scales and Key Signatures
2.4 Practice Exercises

3 Minor Scales and Key Signatures
3.4 Practice Exercises

4 Basics of Rhythm
4.7 Practice Exercises

5 Intervals
5.6 Practice Exercises

6 Triads
6.7 Practice Exercises

7 Roman Numerals and Cadences
7.5 Practice Exercises

8 Seventh Chords
8.4 Practice Exercises

9 Harmonic Progression and Harmonic Function
9.9 Practice Exercises

10 Non-Chord Tones
10.12 Practice Exercises

11 Melodic Analysis
11.6 Practice Exercises

12 Form in Popular Music
12.6 Practice Exercises

13 Phrases in Combination
13.9 Practice Exercises

16 Figured Bass
16.6 Practice Exercises

17 Secondary Dominant Chords
17.7 Practice Exercises

18 Secondary Diminished Chords
18.5 Practice Exercises

19 Mode Mixture
19.6 Practice Exercises

20 The Neapolitan Chord
20.3 Practice Exercises

21 Augmented Sixth Chords
21.9 Practice Exercises

22 Modulation
22.8 Practice Exercises

23 Enharmonic Modulation
23.4 Practice Exercises

24 Binary and Ternary Forms
24.9 Practice Exercises

25 Sonata and Rondo Forms
25.6 Practice Exercises

26 Voice Leading Triads
26.13 Practice Exercises

27 Voice Leading Seventh Chords
27.6 Practice Exercises

28 Voice Leading With Non-Chord Tones
28.4 Practice Exercises

29 Voice Leading Chromatic Harmonies
29.5 Practice Exercises

30 Introduction to Counterpoint
30.9 Practice Exercises

31 Introduction to Jazz Theory
31.12 Practice Exercises

32 Impressionism and Extended Tonality
32.5 Practice Exercises

33 Set Theory
33.9 Practice Exercises

34 Serialism
34.7 Practice Exercises