1.
For each song, fill in the beginning time for each section, label each section type (verse, pre-chorus, chorus, post-chorus, interlude, introduction, A, B, or C section, etc.), and the number of bars in each section of the form.
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Table 12.6.1. Tom Bahler, “She’s Out of My Life” (1980) Time: : Section Type: , bars Time: : Section Type: , bars Time: : Section Type: , bars Time: : Section Type: , bars Time: : Section Type: , bars -
Table 12.6.2. Lennon-McCartney, “Penny Lane” Time: : Section Type: , bars Time: : Section Type: , bars Time: : Section Type: , bars Time: : Section Type: , bars Time: : Section Type: , bars Time: : Section Type: , bars Time: : Section Type: , bars Time: : Section Type: , bars Time: : Section Type: , bars Time: : Section Type: , bars
Answer.
She’s Out of My Life:
- 0:00–0:40, Introduction, approx. 4 bars of keyboard
- 0:40–1:25, A, 12 bars
- 1:25–2:05, A, 11 bars
- 2:05–2:35, B, 8 bars
- 2:35–3:33, A, 13 bars
Penny Lane:
- 0:00–0:20, Verse 1, 8 bars
- 0:20–0:38, Verse 2, 8 bars
- 0:38–0:54, Chorus, 8 bars
- 0:54–1:11, Verse 3, 8 bars
- 1:11–1:28, Trumpet Solo on Verse progression, 8 bars
- 1:28–1:45, Chorus, 8 bars
- 1:45–2:02, Verse 4, 8 bars
- 2:02–2:19, Verse 5, 8 bars
- 2:19–2:36, Chorus, 8 bars
- 2:36–3:02, Chorus a whole step higher, 9 bars
