## Exercises16.6Practice Exercises

###### 1.

Analyze the triads with lead-sheet symbols above and Roman numerals with figured bass inversion symbols below the staff. • Lead-sheet: 1. $$\left.\text{C}\middle/\text{G}\right.$$; 2. $$\left.\text{B}^{\circ}{}\middle/\text{D}\right.$$; 3. $$\left.\text{Dm}\middle/\text{A}\right.$$; 4. $$\left.\text{G}\right.$$

• Figured bass: 1. $$\left.\text{I}^{6}_{4}\right.$$; 2. $$\left.\text{vii}^{\circ}{}^{6}\right.$$; 3. $$\left.\text{ii}^{6}_{4}\right.$$; 4. $$\left.\text{V}\right.$$

###### 2.

Analyze the seventh chords with lead-sheet symbols above and Roman numerals with figured bass inversion symbols below the staff. • Lead-sheet: 1. $$\left.\text{Em7}\middle/\text{G}\right.$$; 2. $$\left.\text{G7}\middle/\text{F}\right.$$; 3. $$\left.\text{Cmaj7}\middle/\text{G}\right.$$; 4. $$\left.\text{Fmaj7}\right.$$

• Figured bass: 1. $$\left.\text{iii}^{6}_{5}\right.$$; 2. $$\left.\text{V}^{4}_{2}\right.$$; 3. $$\left.\text{IM}^{4}_{3}\right.$$; 4. $$\left.\text{IVM}^{7}\right.$$

###### 3.

Label the given chords using lead-sheet symbols above and Roman numerals with figured bass inversion symbols below. • Lead-sheet: 1. $$\left.\text{D}^{\circ}{}\middle/\text{F}\right.$$; 2. $$\left.\text{A}^{\circ}{}^{7}\middle/\text{G}\right.$$; 3. $$\left.\text{E}^ø{}^{7}\right.$$; 4. $$\left.\text{Dmaj7}\middle/\text{F}^{♯}\right.$$

• Figured bass: 1. $$\left.\text{ii}^{\circ}{}^{6}\right.$$; 2. $$\left.\text{vii}^{\circ}{}^{4}_{2}\right.$$; 3. $$\left.\text{vii}^ø{}^{7}\right.$$; 4. $$\left.\text{IM}^{6}_{5}\right.$$

###### 4.

Write the specified chords. Analyze the chords with lead-sheet symbols. Include key signatures.   PDF versions of the textbook, homework exercises, and practice exercises can be found at musictheory.pugetsound.edu